Monday, December 21, 2009

A Festival of Film

By Kevin Murphy,
Psychoanalytic Psychotherapist,
Dublin, Ireland.

The link between psychoanalysis and film is, believe it or not, long established. At first glance it might seem as if they are strange bedfellows. What has the business of therapy got to do with cinema? Well, psychoanalysis was put on the world map, so to speak, by Freud’s most famous book ‘The Interpretation of Dreams’ in 1900. And movies were born at much the same and, by their very nature, are the art form that most closely replicates the dream state. They are visual, switch from scene to scene, can frighten or inspire, and generally have a meaning that, blockbusters aside, is not immediately obvious and often cleverly disguised. As such, they provide rich pickings for psychoanalytic enquiry.
But it goes further than that. All the major neuroses, psychoses and perversions first outlined by Freud have been touched on by film makers over the last century in one way or another. One that immediately comes to mind is Hitchcock whose 1945 Spellbound with Ingrid Bergman and Gergory Peck had dream scenes designed by Salvador Dali. But there are endless more examples.
Every murder story has an undercurrent that psychoanalysis loves to examine. Every love story is a search for the missing part of all of us. Every comedy lets us access unconscious truths that would normally go unsaid. It goes on and on. In fact Freud himself was asked on numerous occasions to write a movie script with Hollywood offering him large sums to do so. He turned all the offers down.
And Italian director Bernardo Bertolucci, who was the honorary president of the First European Psychoanalytic Film Festival in 2001, has been in psychoanalysis since the late Sixties, and has spoken about the way in which this experience coloured the films he made immediately after his analysis began: Last Tango in Paris, The Conformist, The Spider's Stratagem, 1900 . 'I found that I had in my camera an additional lens,' he once said, 'which was not Kodak, not Zeiss, but Freud.'
This is by way of noting that a Festival of Psychoanalysis and Film, jointly sponsored by The Irish Forum for Psychoanalytic Psychotherapy (I.F.P.P.) and Independent Colleges Dublin , is taking place in Dublin on January 29th and 30th. I include details below for anyone who wants to book a place. It promises to be both interesting and entertaining. It will be held in Independent Colleges on Dawson Street, Dublin 2.
The theme of the festival is ‘Love and Madness’ and the format will be that participants will have a choice of three movies at any one time. Each movie will be introduced by the person chairing it and afterwards there is a discussion. For those within the psychoanalytic area it will be a celebration of film and a chance to hear and air views on their possible meanings, both intended and unintended. For those new to psychoanalytic thinking it will be a chance to offer new and different perspectives.
There is an opening reception at 5pm on Friday 29th after which the choice of movies starting at 6.35pm are the Oscar winning Black Narcissus (1947) which is a story of five young British nuns in the Himalayas who succumb to earthly temptation. There is also Lars and the Real Girl (2007), a comedy in which an awkwardly shy young man in a small northern town brings home the girl of his dreams to his brother and sister-in-law's home. The only problem is that she's not real - she's a sex doll Lars ordered off the Internet. The third movie of Friday evening is The Talented Mr. Ripley (1999) which is about a 1950s Manhattan lavatory attendant, Tom Ripley, who borrows a Princeton jacket to play piano at a garden party and ends up going to extreme lengths take on another persona.

On Saturday 30th, the first three films at 10:00 a.m. are The Pervert’s Guide to Cinema which takes the viewer on an exhilarating ride through some of the greatest movies ever made. In it, philosopher and psychoanalyst Slavoj Zizek is variously untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock. Alternatively you can see Estamira (2006) a documentary about a sixty something woman in Rio de Janeiro, who is an insane but happy woman that has been working for more than twenty years in the city dumpster in Gramacho. The third alternative of the morning session is Donnie Darko (2002) about a young man who doesn't get along too well with his family, his teachers and his
classmates; but he has a friend named Frank - a large bunny which only Donnie can see.

At 1.15pm on Saturday the three film choices are Safe (1995) which is about California housewife Carol who has it all but who succumbs to a curious illness and seeks to find a cure with a phony guru. Some Like it Hot (1959) is the second choice and is the classic Billy Wilder comedy with Jack Lemon, Tony Curtis and Marilyn Monroe. The third movie is The Soul Keeper (2003) which is the true story of Sabina Spielrein, a patient of both Freud and Jung. She has an affair with Jung which, when it becomes public, he denies.

Then at 4pm we have Reign Over Me (2007) which has Adam Sandler playing a riveting role as a man who loses everything and almost loses himself. He finds a path out of his situation through the friendship of an old college mate. The second choice is Betty Blue (1986), a French movie about the beautiful Betty who slips into madness despite the intense love of her boyfriend Zorg. And the third movie is Ai No Corrida (1977) one of the most notorious films in movie history that is based on a true story set in pre-War Japan about a man who engages in a perverse affair with his servant. Banned at its premiere at the New York Film Festival in 1976 it is not for the faint hearted.

So a veritable feast of cinema with the promise of lively discussion and debate afterwards. The organisers tell me that the cost is €25 for the full programme, €15 for one day and €5 for an individual film. Booking is essential and can be done through calling 01-6725058 or by emailing Caroline at caroline.mellows@independentcolleges.ie or Eve at eve.watson@independentcolleges.ie

* The next blog will appear on Tuesday January 12, 2010.

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